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theatre/practice
Volume 12

Journal Editors:

Editor: Daniel Smith (Michigan State University)

Associate Editor: Karin Waidley (University of Michigan)

Consulting Editors:

Trevor Boffone (University of Houston)
Peter Campbell (Ramapo College of New Jersey)
Elizabeth Cizmar (Vanderbilt University)
Greg Doran (University of Prince Edward Island)
Jason Dorwart (Hong Kong Baptist University)
Shannon Epplett (Illinois State University)
Oona Hatton (San Jose State University)
Victor Holtcamp (Tulane University)
Laura A. Lodewyck (North Central College)
Emily McConnell (Roosevelt University/CCPA)
Leesi Patrick (Bowling Green State University)
Emily Rollie (Central Washington University)
Jen Shook (Grinnell College)
Bryan M. Vandevender (Bucknell University)

Essays:

“The Compositor”: How Hybrid Productions Will Create a New Job Title in Theatre

by Andy Head and Gary Jacobs

Can a Person Kiss a Hologram? Live Theatre During a Plague in BYU's Illusionary Tales

by Adam Houghton and Tony Gunn

Windows into Revolutionary Recovery: Check-Ins, De-Roling, and Debriefing Practices for Rehearsal and Performance

by Kate Busselle and Hannah Fazio

"With and Against the Archive": Researching and Performing African American Archival Lacunas as Acts of Worldmaking

by Christine Woodworth

Laughing and Groaning: Staging Larissa FastHorse's The Thanksgiving Play in a Small Liberal Arts Context

by Deana Nichols

Reparo Paranoia: Harry Potter and Queer Reparative Embodiment Within TikTok's Collaborative Storytelling and Fandom Communities

by Lusie Cuskey

Revolutionizing the Curriculum in a Youth-Focused LGBTQ+ Theatre Course

by Andy Waldron

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